E-mail:
Jack Balkin: jackbalkin at yahoo.com
Bruce Ackerman bruce.ackerman at yale.edu
Ian Ayres ian.ayres at yale.edu
Corey Brettschneider corey_brettschneider at brown.edu
Mary Dudziak mary.l.dudziak at emory.edu
Joey Fishkin joey.fishkin at gmail.com
Heather Gerken heather.gerken at yale.edu
Abbe Gluck abbe.gluck at yale.edu
Mark Graber mgraber at law.umaryland.edu
Stephen Griffin sgriffin at tulane.edu
Jonathan Hafetz jonathan.hafetz at shu.edu
Jeremy Kessler jkessler at law.columbia.edu
Andrew Koppelman akoppelman at law.northwestern.edu
Marty Lederman msl46 at law.georgetown.edu
Sanford Levinson slevinson at law.utexas.edu
David Luban david.luban at gmail.com
Gerard Magliocca gmaglioc at iupui.edu
Jason Mazzone mazzonej at illinois.edu
Linda McClain lmcclain at bu.edu
John Mikhail mikhail at law.georgetown.edu
Frank Pasquale pasquale.frank at gmail.com
Nate Persily npersily at gmail.com
Michael Stokes Paulsen michaelstokespaulsen at gmail.com
Deborah Pearlstein dpearlst at yu.edu
Rick Pildes rick.pildes at nyu.edu
David Pozen dpozen at law.columbia.edu
Richard Primus raprimus at umich.edu
K. Sabeel Rahmansabeel.rahman at brooklaw.edu
Alice Ristroph alice.ristroph at shu.edu
Neil Siegel siegel at law.duke.edu
David Super david.super at law.georgetown.edu
Brian Tamanaha btamanaha at wulaw.wustl.edu
Nelson Tebbe nelson.tebbe at brooklaw.edu
Mark Tushnet mtushnet at law.harvard.edu
Adam Winkler winkler at ucla.edu
Sandy’s Joyfully Divided Soul and a Glimpse at a Constitutional Poethics in View of Roe’s Leaked Demise
Guest Blogger
This post was prepared for a
roundtable on
Law, Literature, and
Other Performing Arts, convened as part of LevinsonFest 2022—a
year-long series gathering scholars from diverse disciplines and viewpoints to
reflect on Sandy Levinson’s influential work in constitutional law.
Richard
Weisberg
In his
version of the iconic story, Goethe has his hero say, “There are two Fausts in
my soul!”[1]
And a century or so later, Camus’ lawyer narrator in The Fall[2]puts his own first-person story under
the sign of Janus, the Roman god with two faces looking in opposite directions.
There is a bit of this doubleness in my friend Sandy's soul. I’ve thought for a
while that his trained intuition follows a literary tune, but that his less
Dionysical and more Apollonian mind points him towards history and the social
sciences.
Fortunately
for me and many others celebrating him now, Sandy has followed his intuition
often in his presence and writing as a scholar. Appraising fairly recently his
own most enjoyable and noteworthy career contributions, Sandy gave the gold
medal to the famous University of Texas week-long symposium he organized some
years ago on Law and the Performing Arts. At this gala event, the impresario in
Sandy came to full fruition as famous stage directors, actors, musicians, and
other artists joined with scholars to explore in a highly convivial environment
created by Maestro Sandy the ties between law and performance.
Indeed,
law and music can be linked on so many helpful if non-obvious levels that Sandy
elsewhere decided to write quite well on the subject. His—and Cynthia’s—interest
in jazz, classical music, and musical theater enriches their lives, and it is
noteworthy that the writings we celebrate today touch on so many of these
performative enterprises.
Law and
Literature, a far more developed field than say Law and Music, has also
benefited from Sandy's leadership. His volume Interpreting Law and Literature, co-edited with Steven Mailloux,
approaches its 35th birthday next year as still the go-to text
on a part of the field that Sandy engaged in other ways—the Texas Law Review
full number on legal hermeneutics comes to mind; but the Northwestern
University Press[3]
co-edited book stands as far richer and topical today than the earlier volume.
However,
while very often present in the room when the lawinliterature is discussed, Sandy has
balked, unlike other legal scholars of his generation like Robert Cover, Robin
West, Richard Posner, Milner Ball, David Richards (and myself), at fully
engaging storiesas a
jurisprudential source, a unique, cutting-edge methodology of understanding
law.
Here my
own sense is that the colder side of his remarkable self made him pull back
from admitting that law is, in fact, an art. Little might have changed in his
superb work as a scholar had he let his soul fly free to pursue a poethics,
say, of constitutional law. He would have been terrific at that. Since he may
not retire until the age of 120, let's watch to see what still lies ahead!
So it is
that we celebrate this joyfully divided soul. Long may he and his wonderful family
live and thrive!
MEANWHILE,
urged by our convenors, I offer a glimpse of a “poethics”[4]
of Con Law in light of the recently leaked draft of SCOTUS’ plan to over-rule
Roe.
A score
of years after it came down, I—and certainly not only myself—predicted that Roe
v Wade[5]
would not last—NOT because of political events or the composition of SCOTUS at
any given time but because it was so poorly crafted as an opinion:
“[Roe]
produced moments of almost incomparable joy in many oppressed communities. [It failed]
to capture in its writing the essence of the human situation it so courageously
attempted to alleviate. . . . It failed to enter specifically the world of a
woman privately struggling with a decision that is intensely personal and often
agonizing. Roe did not couch its outcome in terms of human autonomy; too much
attention is paid to science, and the opinion reads like a less-than-convincing
medical text aimed more at doctors than at women (or even lawyers). . . . To
focus on the viability of the safety of abortions and the so-called viability
of the fetus was to blur—I would argue, fatally so—the central reality of the
situation: a woman's right to choose among distressing but highly personal
alternatives.”[6]
Relying
substantially on Judge Benjamin N. Cardozo’s dictum that “Form is not something
added to substance as a mere protuberant ornament. The two are fused into a
unity,”[7]
I saw that—in difficult cases especially—the judicial writer had to find
exactly the right fit to assure the longevity of her doctrinal contribution.
And this I found in aconcurring
opinionin Roe, that of
Justice Douglas. The brilliance of his approach to the situation lay in the use
of a single verb (found in bold print below) that encompassed the entire
situation as follows:
“The
Georgia statute is at war with the clear message of [earlier cases laying the
groundwork]—that a woman is free to make the basic decision whether to bear an
unwanted child. . . . a catalogue of these rights includes customary,
traditional, and time-honored rights, amenities, privileges, and immunities
that come within the sweep of ‘the Blessings of Liberty’ mentioned in the
preamble to the Constitution. Many of them, in my view, come within the meaning
of the term ‘liberty’ as used in the Fourteenth Amendment [such as]. . . . the
autonomous control over the development and expression of one's intellect,
interests, tastes and personality. . . . [And then there] is the freedom
to care for one’s health and person, freedom from bodily restraint or
compulsion, freedom to walk, stroll, or loaf [!].”[8]
I had not until then or
even since seen the word loaf used in a key judicial opinion,
not as a noun (“the parties must live with half-a-loaf,” for a mundane example]
but as a verb! It perfectly suited the substance of the case
and should have been part of Roe’s majority opinion. Consider that, whatever
the condition of the fetus or the advice of the doctors, the woman alone as
part of her right to loaf deserves—as most non-minority men
take for granted—the easy control of her body at any stage of her life.
So the verb “to loaf”
opened up a door for me as a privileged male not only as to Roe’s ultimate
meaning but also as to its application to many other activities and decisions—casual
or highly significant—that men take for granted. While trending towards the
equal protection rationale Justice Ginsburg had been saying would have been
better doctrinally than its substantive due process foundation, Justice Douglas’
concurrence managed to retain the latter while seizing the lived experience of
a woman compared to that of a man and foregrounded the unfairness of the woman’s
enforced subservience to physical exigencies not well understood by
legislators, judges, doctors, and other authority figures.
Richard
H. Weisberg is the Walter Floersheimer Professor
of Constitutional Law at the Cardozo School of Law and Visiting Professor of Law
at the University of Pittsburg School of Law. You can contact him at rhw19@pitt.edu.
[1] For a fine analysis of the Faust theme in Goethe
and other writers, see Marguerite Allen, The Faust Legend: Popular Formula
and Modern Novel (NY: Peter Lang, 1985).
[2] Albert Camus, The Fall (trans. by Justin
O'Brien, 1956).
[3] Levinson and Mailloux, Interpreting
Law and Literature (Evanston: Northwestern University Press, 1988).
[4] The term is used and
defined in my Poethics and Other Strategies of Law and Literature (NY: Columbia
University Press, 1992).